Chinemerem Prince Nwankwo
An Autopsy of Dying in Which a Miracle Lives in a Famished Tumour
life is not measured by the number of breaths we take,
but by the moments that take our breath away
—Maya Angelou
stage I
[relatively soul & innocent. what is terminal begins with a feel of nothingness]
hold this body —
something haven. something donned & dighted in the genesis of breath.
isn’t she a fine silt & the strand of a godly ooze? how jubilee it is, naivety
steeps in & makes her (w)hole. nothing seems radical like the shape of the
unknown.
stage II
[prostate gland but localised. lymph nodes invasion & smokes of piping hope emerge]
& there’s war:
body carapaced in self-weaponry. fighting ghouls in apertures/ skin in
her apparel appetency/ how brave to sheathe & not hold the scars to
ransom. if therapy owns this body, how come the soul doesn’t breathe?
the wound stealths open/ & healing crackles at exit. do you not know
a surgical blade is a fierce lightning in apparency than prostatectomy?
stage III
[seminal vesicles. tumour is a fighter & the body in acute soldiery. survival in question]
in this poem —
tell the body in therapy, of home. country where family is
whole. & grief bleached not to savour the blood. hold the lesion
in penury. the despair flickering in retention. life knows nothing of
housing a soul. light the flesh again & know frailty is nothing but
divine. to bite the dust is to ascend & to ascend is to bite the dust.
what’s it about escapism? just to render gently, humanity is flawed.
stage IV
[metastasis of distant organs. figurine of delicate & dying. longing & beholding]
if a miracle:
hasten to anneal this body. what awaits itself is a miracle. say, it’s
just a fragment of time. even nature traces the sound of silence.
what do you do with grief than to lay it to rest. anxiety respires
& the river sniffs in the drowning feet. but sometimes what’s
left of nature is patience. her claws of longing: the sickbed &
the rising of sunset. the graveside, flowery songs & the hour of
silence.
Bio:
CHINEMEREM PRINCE NWANKWO, SWAN IV, is an Igbo apprentice poet and essayist who’s currently a final year student of the Department of History and International Studies, University of Uyo, Nigeria. He is the Poetry Editor, The Cloudscent Journal and an Assistant Poetry Editor, Arkore Arts. He finished as a finalist, Pawners Paper Poetry Contest, 2024. He was placed as the Second Runner Up, SprinNG Annual Poetry Prize, 2023 and was shortlisted for the Sevhage-KSR Hyginus Ekwuazi Poetry Prize, 2023. His works have been published/forthcoming in magazines such as Muse UNN, Poetry Column-NND, African Writers Magazine, Decolonial Passage, Pepper Coast Lit, Arts Lounge, etc. He tweets @CP Nwankwo.